By Corinne Saunders
A significant other to Medieval Poetry provides a chain of unique essays from best literary students that discover English poetry from the Anglo-Saxon interval as much as the fifteenth century. Organised into 3 components to echo the chronological and stylistic divisions among the Anglo-Saxon, heart English and Post-Chaucerian sessions, every one part is brought with contextual essays, offering a beneficial creation to the society and tradition of the time Combines a normal dialogue of genres of medieval poetry, with particular attention of texts and authors, together with Beowulf , Sir Gawain and the golf green Knight , Chaucer, Gower and Langland gains unique essays via eminent students, together with Andy Orchard, Carl Schmidt, Douglas grey, and Barry Windeatt, who current more than a few theoretical, historic, and cultural techniques to studying medieval poetry, in addition to providing shut research of person texts and traditions
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Extra info for A Companion to Medieval Poetry
Libri epistolarum Sancti Patricii Episcopi. Dublin: Stationery Office. Brooks, N. P. (1979). England in the ninth century: the crucible of defeat. Transactions of the Royal Historical Society, 5th ser. 29, 1–20. Bullough, D. A. (2004). Alcuin: Achievement and Reputation. Leiden: Brill. Campbell, A. ) (1998). Encomium Emmae Reginae. Introduction by S. Keynes. Camden Classic Reprints 4. Cambridge: Cambridge University Press. Colgrave, B. and R. A. B. Mynors (eds) (1969). Bede’s Ecclesiastical History of the English People, Oxford Medieval Texts.
Orchard, A. (2004). Re-editing Wulfstan: Where’s the point? ). Wulfstan, Archbishop of York: Proceedings of the Second Alcuin 33 Conference (pp. 63–91). Studies in the Early Middle Ages. Turnhout: Brepols. Orchard, A. (2007). Wulfstan as reader, writer, and re-writer. In Aaron J. ). Precedent, Practice, and Appropriation: the Old English Homily (pp. 313–43). Studies in the Early Middle Ages 17. Turnhout: Brepols. Rees, B. R. (1988). Pelagius, a Reluctant Heretic. Woodbridge: Boydell. Scragg, D.
Then they went forth, did not pay heed to life. . feores) in successive lines; in each repetition, one element is given in the voice of the narrator, and one in the voice of Dunnere the peasant. In this highly choreographed epitaph for Anglo-Saxon valour, Dunnere’s shaking of his spear has a significance of its own, matching as it does the actions of his fallen lord, Byrhtnoth, who had likewise waved his spear (and brandished his shield) before uttering his own first words of defiance to the Danish foe (Battle of Maldon 42–44: Byrhtnoð maþelode, bord hafenode, / wand wacne æsc, wordum mælde’ [‘Byrhtnoth made a speech, brandished his shield, waved his slender ash-spear, uttered in words’].