By Thomas C. Moser Jr.
Thomas C. Moser, Jr. explores the attention-grabbing physique of medieval Latin erotic poetry present in English manuscripts. His examine describes the highbrow and social context from which the nice erotic songs of the 12th century emerged, and examines quite a few erotic poems, from institution routines to the tremendous lyrics present in Arundel 384. He additionally illuminates the impression of neoplatonic philosophy in this poetry, explicating key neoplatonic texts and utilizing that evaluation in shut readings of erotic lyrics from an analogous interval and milieu.
A Cosmos of wish will curiosity students of medieval literature in addition to experts in Latin poetry and philosophy. scholars of center English literature will locate that it fills an enormous hole in our realizing of English highbrow existence among the 12th and the fourteenth century. All Latin prose and poetry is translated, a few works for the 1st time, and the publication is generously illustrated with pictures of the manuscripts discussed.
Thomas C. Moser, Jr. is affiliate Professor of English on the collage of Maryland, collage Park.
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Additional info for A Cosmos of Desire: The Medieval Latin Erotic Lyric in English Manuscripts (Studies in Medieval and Early Modern Civilization)
Like the rose, at once mixing white with red, Thus that face appeared to me then, the face now buried in deadly pallor. ]73 What was a flower is now something else. Cupid becomes the "auctor amoris," the writer who must be banished from the speaker's life, along with all the boys and girls he has loved ("ille" and "illa," "utrius sexus"), if he is to read the world rightly. In "Mens mea tristatur"74 the speaker is acutely aware of the ruin desire has brought upon him and regrets a life still ruled by eros.
Like Fulcoius and Godfrey, the two Angevin poets made powerful use of the classical poetry they had so thoroughly absorbed. They believed in the social value of poetry and poets, and they manifested a willingness to play adventurously with the classical sources that inspired them. They also created for themselves bold poetic personas-part of the way they faced the world and furthered their careers and political connections. In different ways they both worked creatively with erotic material. Marbod appears today as the more medieval of the pair, with a preference for rhymed pseudoclassical verse.
You cover up (your) shining breasts with hidden clothing, although a white breast does not wish to be covered with clothing. ]45 The observation that she appears best naked and otherwise undecorated ("Ornatu nullo potes exornatior esse" [By no ornament you are able to be more adorned]) leads to an elaborate discussion of her erotic power, represented metaphorically as a radiation she gives off through her eyes (which "radiis 32 A COSMOS OF DESIRE certare Jovis... possent" [would have been able to compete with the beams of Jove]) and through her flesh (which shines "sole ...